Will the CRM-directive succeed re-aggregating the mechanical reproduction rights in the Anglo-American music repertoire?
by Emilie Anthonis
International Journal of Intellectual Property Management (IJIPM), Vol. 7, No. 3/4, 2014

Abstract: Music publishers representing the Anglo-American repertoire withdrew the mechanical rights from collective management after the Commission Recommendation of 18 May 2005 on collective cross-border management of copyright and related rights for legitimate online music services, which - contrary to its objective - is deemed to have made the clearance of online rights in music even more complex for users by adding an extra layer of intermediaries. This paper looks at the positioning of different stakeholders on the issue and questions whether the CRM directive is likely to bring the withdrawn rights back to collective management. Market led solutions and possible review of substantive copyright are also touched upon.

Online publication date: Wed, 22-Jul-2015

The full text of this article is only available to individual subscribers or to users at subscribing institutions.

 
Existing subscribers:
Go to Inderscience Online Journals to access the Full Text of this article.

Pay per view:
If you are not a subscriber and you just want to read the full contents of this article, buy online access here.

Complimentary Subscribers, Editors or Members of the Editorial Board of the International Journal of Intellectual Property Management (IJIPM):
Login with your Inderscience username and password:

    Username:        Password:         

Forgotten your password?


Want to subscribe?
A subscription gives you complete access to all articles in the current issue, as well as to all articles in the previous three years (where applicable). See our Orders page to subscribe.

If you still need assistance, please email subs@inderscience.com